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His love at this moment—which is closing upon noon—is standing in her cool dairy upon business thoughts intent yet with a certain look of expectation and anxiety upon he face,—a listening look may best express it.,"Sure of course," says Mona. "Why, I used to ride the colts barebacked at home.","I am a stranger; I know nothing," she says again, hardly knowing what to say, and moving a little as though she would depart.,This tirade has hardly the effect upon Dorothy that might be desired. She still stands firm, utterly unshaken by the storm that has just swept over her (frail child though she is), and, except for a slight touch of indignation that is fast growing within her eyes, appears unmoved.,"Come, hurry," says Mona, turning to Geoffrey, with a light laugh that seems to spring from her very heart. "Would you have the 'tay' get cold while you are making up your mind? I at least must go.","Oh, do not open that—do not!" says Mona, hastily, in an agony of fear, to judge by her eyes, laying a deterring hand upon his arm.,It is Paul Rodney.,Then he tells her all the truth about his interview with his mother, only suppressing such words as would be detrimental to the cause he has in hand, and might give her pain.,"I think you had better come home," says Geoffrey, deeply angered with her. "You must not stay here catching cold.","Don't say anything more," says the girl, almost passionately, drawing back from him as though afraid of herself. "Do not. The more you say now, the worse it will be for me by and by, when I have to think. And—and—it is all quite impossible.",Just at this moment a light step running up the stairs outside and across the veranda makes itself heard. Every one looks expectant, and the slight displeasure dies out of Geoffrey's face. A slender, graceful figure appears at the window, and taps lightly.,"And the child,—Miss Mona?" asks Geoffrey..